<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>ShiShi — Dark Electronic / Brooklyn</title><description>New music, essays, and fragments by Artur Ziganshin.</description><link>https://shishi-dark.com/</link><language>en-us</language><item><title>Fragment № 013</title><link>https://shishi-dark.com/fragments#013/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#013/</guid><description>Brooklyn at 3 AM is louder than I expected. I thought I was moving toward silence. I was moving toward a different kind of attention.</description><pubDate>Sun, 26 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>brooklyn</category><category>listening</category></item><item><title>Cioran and drone</title><link>https://shishi-dark.com/writing/cioran-and-drone/</link><guid isPermaLink="true">https://shishi-dark.com/writing/cioran-and-drone/</guid><description>There is a common misreading of Cioran in which he becomes a soundtrack — a writer to play darkness against. The actual Cioran asks for something stranger from a piece of music: not darkness, but duration. This is the case for drone.</description><pubDate>Sat, 25 Apr 2026 00:00:00 GMT</pubDate><category>essay</category></item><item><title>Fragment № 014</title><link>https://shishi-dark.com/fragments#014/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#014/</guid><description>If a track survives three nights of doubt, it stays. The rule is older than the project.</description><pubDate>Thu, 23 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>process</category></item><item><title>Fragment № 001</title><link>https://shishi-dark.com/fragments#001/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#001/</guid><description>The difference between a bass note and a sentence: a sentence needs you to understand it. The bass note waits until you stop needing to.</description><pubDate>Wed, 22 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>bass</category><category>language</category></item><item><title>Fragment № 015</title><link>https://shishi-dark.com/fragments#015/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#015/</guid><description>When I was writing the doctoral chapter on machine perception, I kept coming back to the same problem: there&apos;s no way to ask &quot;what is it like to be a system&quot; without already smuggling in the assumptio</description><pubDate>Tue, 21 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>phenomenology</category><category>ai-ethics</category></item><item><title>Fragment № 002</title><link>https://shishi-dark.com/fragments#002/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#002/</guid><description>Finished mastering madness was sad tonight. The title came before the track. That happens more often than I expected when I started.</description><pubDate>Sun, 19 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>process</category><category>madness</category></item><item><title>Fragment № 016</title><link>https://shishi-dark.com/fragments#016/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#016/</guid><description>A track that doesn&apos;t survive its own loneliness shouldn&apos;t be released. Most of mine die there.</description><pubDate>Sat, 18 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>doubt</category></item><item><title>Camus in the bass, Cioran in the reverb</title><link>https://shishi-dark.com/writing/camus-in-the-bass/</link><guid isPermaLink="true">https://shishi-dark.com/writing/camus-in-the-bass/</guid><description>The thesis is simple: a Buchla envelope can say what a paragraph of despair cannot. It is faster. And it does not ask you to already know what it is saying. This is the defense of that claim.</description><pubDate>Wed, 15 Apr 2026 00:00:00 GMT</pubDate><category>essay</category></item><item><title>Fragment № 003</title><link>https://shishi-dark.com/fragments#003/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#003/</guid><description>Cioran is not pessimistic. Cioran is the most generous writer I have ever read. He refuses to lie to you.</description><pubDate>Wed, 15 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>cioran</category></item><item><title>Fragment № 017</title><link>https://shishi-dark.com/fragments#017/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#017/</guid><description>What tape does to sound is what time does to memory. It softens the edges, drops the highs, adds a low hiss that wasn&apos;t in the original. The hiss is information. Most digital tools try to remove it. T</description><pubDate>Tue, 14 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>tape</category><category>process</category></item><item><title>The phenomenology of tape</title><link>https://shishi-dark.com/writing/phenomenology-of-tape/</link><guid isPermaLink="true">https://shishi-dark.com/writing/phenomenology-of-tape/</guid><description>Every plugin company sells its tape emulation as if the question were one of fidelity to the analog process. The question is something else entirely — a question about what tape does to time. This is the case for the answer.</description><pubDate>Sun, 12 Apr 2026 00:00:00 GMT</pubDate><category>essay</category></item><item><title>Fragment № 004</title><link>https://shishi-dark.com/fragments#004/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#004/</guid><description>There&apos;s a type of fatigue that only happens at 4:30 AM after a long session. Not tired — emptied. That emptiness is where the best editing happens. Most of my best decisions are made when I have nothi</description><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>process</category><category>doubt</category></item><item><title>Fragment № 018</title><link>https://shishi-dark.com/fragments#018/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#018/</guid><description>Cioran would have hated this site. That&apos;s how I know I should keep building it.</description><pubDate>Wed, 08 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>cioran</category></item><item><title>Fragment № 005</title><link>https://shishi-dark.com/fragments#005/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#005/</guid><description>A philosophy degree prepares you for nothing and everything. Mostly it trains you to sit with a question longer than is comfortable. Which is also what making a track is.</description><pubDate>Tue, 07 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>philosophy</category><category>process</category></item><item><title>Fragment № 019</title><link>https://shishi-dark.com/fragments#019/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#019/</guid><description>A bass note below 60Hz is felt before it is heard. This is not a metaphor — it&apos;s a fact about the cochlea and the chest cavity. Every track I make tries to remember this. Most music has forgotten.</description><pubDate>Sun, 05 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>bass</category><category>attention</category></item><item><title>Fragment № 006</title><link>https://shishi-dark.com/fragments#006/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#006/</guid><description>Tarkovsky: &quot;In cinema, time must flow independently and with dignity.&quot; Change &quot;cinema&quot; to &quot;sub-bass&quot; and you have my only real production rule.</description><pubDate>Fri, 03 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>tarkovsky</category><category>bass</category></item><item><title>Fragment № 020</title><link>https://shishi-dark.com/fragments#020/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#020/</guid><description>Three words I refuse to use in track titles: journey, vibe, energy. They mean nothing. They&apos;re how producers apologize for not knowing what their track is about.</description><pubDate>Thu, 02 Apr 2026 00:00:00 GMT</pubDate><category>fragment</category><category>language</category></item><item><title>Absurdism as a production technique</title><link>https://shishi-dark.com/writing/absurdism-as-a-production-technique/</link><guid isPermaLink="true">https://shishi-dark.com/writing/absurdism-as-a-production-technique/</guid><description>Camus&apos;s central rule is so stated everywhere that we no longer hear it: consolation is the lie that lets us avoid the work of seeing things as they are. Here is what that rule sounds like translated into a mixing console.</description><pubDate>Mon, 30 Mar 2026 00:00:00 GMT</pubDate><category>essay</category></item><item><title>Fragment № 007</title><link>https://shishi-dark.com/fragments#007/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#007/</guid><description>The absurd is not meaningless. The absurd is the recognition that meaning is not given. Camus is careful with this. Most people who cite him are not.</description><pubDate>Mon, 30 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>camus</category><category>absurd</category></item><item><title>Fragment № 021</title><link>https://shishi-dark.com/fragments#021/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#021/</guid><description>The hardest part of moving from philosophy to music wasn&apos;t the technical learning. The hardest part was getting comfortable with the fact that the work happens in the listener, not in the score. Philo</description><pubDate>Sun, 29 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>process</category><category>philosophy</category></item><item><title>Fragment № 022</title><link>https://shishi-dark.com/fragments#022/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#022/</guid><description>A 12-second reverb tail is not &quot;more reverb than 4 seconds.&quot; It&apos;s a different sentence. The 4-second tail says something happened. The 12-second tail says something is still happening, and you are ins</description><pubDate>Wed, 25 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>reverb</category><category>time</category></item><item><title>Fragment № 008</title><link>https://shishi-dark.com/fragments#008/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#008/</guid><description>Brooklyn in March: grey, slow, listening. Not depressing — attentive. The city sounds like it&apos;s waiting for something to say back.</description><pubDate>Sun, 22 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>brooklyn</category></item><item><title>Fragment № 023</title><link>https://shishi-dark.com/fragments#023/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#023/</guid><description>Walking the same eleven blocks every night before working. Not for inspiration. To exhaust the body so the mind can finally settle.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>brooklyn</category><category>ritual</category></item><item><title>Fragment № 009</title><link>https://shishi-dark.com/fragments#009/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#009/</guid><description>Note to self: stop trying to explain the project in marketing language. &quot;Dark electronic × philosophy&quot; is the best one-liner I&apos;ve got, and that&apos;s already too much. The music does the explaining. Let i</description><pubDate>Wed, 18 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>doubt</category><category>process</category></item><item><title>Fragment № 024</title><link>https://shishi-dark.com/fragments#024/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#024/</guid><description>The Russian audience that followed me from the previous project doesn&apos;t engage with English-language dark electronic. I knew this when I made the switch. The instinct to keep them — to translate, to c</description><pubDate>Sun, 15 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>doubt</category><category>public</category></item><item><title>Fragment № 010</title><link>https://shishi-dark.com/fragments#010/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#010/</guid><description>I don&apos;t believe in inspiration. I believe in showing up at the same time every night and letting the patch be what it becomes.</description><pubDate>Wed, 11 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>process</category></item><item><title>Fragment № 025</title><link>https://shishi-dark.com/fragments#025/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#025/</guid><description>The hardest texture to mix correctly is silence. It is the only one that has no parameters, only a context.</description><pubDate>Sun, 08 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>silence</category></item><item><title>Fragment № 011</title><link>https://shishi-dark.com/fragments#011/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#011/</guid><description>Working in AI ethics for years and then making dark electronic music is not the contradiction it sounds like. The questions are the same: what does it mean for something to perceive, to respond, to se</description><pubDate>Sat, 07 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>philosophy</category><category>ai-ethics</category></item><item><title>Fragment № 026</title><link>https://shishi-dark.com/fragments#026/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#026/</guid><description>Camus&apos;s question — whether life is or is not worth living — is misread when people treat it as theological. It&apos;s a procedural question. Each morning, before any other decision, you&apos;ve already answered</description><pubDate>Wed, 04 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>camus</category><category>process</category><category>doubt</category></item><item><title>Fragment № 012</title><link>https://shishi-dark.com/fragments#012/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#012/</guid><description>A reverb that never fully decays is a different kind of object than a reverb that decays in 2.3 seconds. I don&apos;t have language for this yet but I can hear it immediately.</description><pubDate>Sun, 01 Mar 2026 00:00:00 GMT</pubDate><category>fragment</category><category>reverb</category></item><item><title>Fragment № 027</title><link>https://shishi-dark.com/fragments#027/</link><guid isPermaLink="true">https://shishi-dark.com/fragments#027/</guid><description>Mastering is the moment you accept that the track will not improve. It&apos;s a small grief, every time. And then a small relief, also every time.</description><pubDate>Sat, 28 Feb 2026 00:00:00 GMT</pubDate><category>fragment</category><category>process</category><category>mastering</category></item></channel></rss>